Chair: Henry Hitchings
Hon. Secretary: Natasha Tripney
Contact for matters about the Drama section: email@example.com
The founder members of the Circle were mostly drama critics who believed, being on the whole freelancers, that in unity lay strength. In 1913 they decided, under the auspices of the Institute of Journalists, to set up this organisation. SR Littlewood (Daily Chronicle), JT Grein (who first brought Ibsen’s Ghosts to London in 1891) and John Parker (the 1913 editor of Who’s Who in the Theatre) arranged the first general meeting in the Hall of the Institute of Journalists. On that occasion Grein took to the stage and said, “Well, gentlemen, here we are! Let us do something. I propose that we begin by electing William Archer to the chair.” Archer, who translated the plays of Ibsen, was a leading critic of the day, and duly became Chair (with Littlewood as Honorary Secretary). He was succeeded in 1925 by Parker, who remained in office until his death in 1952. Their very first business concerned something which still matters today: the problems of getting review tickets from promoters.
Drama critics who have been President of the Critics’ Circle include St John Ervine (1929), Ivor Brown (1934), James Agate (1938), Sir Harold Hobson (1955), Philip Hope-Wallace (1958), JC Trewin (1964), Jack Tinker (1992-94), Jane Edwardes (2000-2002), Charles Spencer (2008-10) and Mark Shenton (2018-).
The section’s Theatre Awards were set up in 1989, after much debate about whether critics should make awards. That debate is over and now all sections do so; the Circle as a whole presents an annual award for Services to the Arts in Britain.
Since 1996 the Theatre Awards have included the Jack Tinker Award for Most Promising Newcomer – Tinker was a much-loved critic for the Daily Mail. In 2001 a new award was instituted in memory of the husband and wife critical partnership of John and Wendy Trewin. This took the form of a medal for the Best Shakespearean Performance of the year. In 2016, after the death of their son Ion Trewin, it was renamed the Trewin Medal. In 2016, the award for best new or revived musical was renamed the Peter Hepple Award for Best Musical, in honour of the late Peter Hepple’s outstanding contribution to the Critics’ Circle, of which he was Hon. Gen. Secretary for many years.
The section is also affiliated to the International Association of Theatre Critics, a body with similar aims on an international scale. The IATC holds a congress every two years. Details of IATC aims and activities can be found at www.aict-iatc.org
News & Reviews
Philip Fisher reports on a cultural visit to Vienna with tastes of architecture, art, theatre and opera.read more
On 3rd October 2018, Britain's foremost artist David Hockney received the Critics' Circle award for Distinguished Service to Art. The relaxed ceremony took place over lunch at the Chelsea Arts Club, London, a beautiful venue with access through long french windows...read more
Published by Duckworth Overlook at £16.99, 382 pages There is no question that the most hyped first novel of 2018 is Mrs Hancock and the Mermaid by Imogen Hermes Gowar. While that historical novel is undoubtedly a fine work by a prodigious new talent, a strong case...read more
The Drama section decided to set up a new special award for services to the theatre which could go to anyone who has contributed to the theatre in Britain. It is not a lifetime achievement award because they tend to celebrate a career that is either over or at its...read more
The awards for 2017 were presented at the Prince of Wales Theatre in London on Tuesday 30 January 2018. The winners were: The Most Promising Newcomer – Shella Atim for Girl from the North Country (The Old Vic & Noel Coward Theatres, London) & John McCrea for...read more
In a highly enjoyable lunchtime ceremony in the Delfont Room at the Prince of Wales Theatre, the great and the good of the thespian community got together to recognise the best of the best in the previous year. As in recent years, Drama Section Chairman Mark Shenton...read more
John Lithgow has become an American institution thanks to his TV, film and stage appearances. His status is so high that the actor can bring a solo show Stories by Heart, to a Broadway theatre for a three-month run. The highlights are tales of his father Arthur...read more