Chair (acting): Tom Sutcliffe
Hon Secretary: Guy Rickards firstname.lastname@example.org
The aims of the Music Section of the Critics’ Circle are: a) to promote the art of criticism and to uphold its integrity in practice; b) to foster and safeguard the professional interests of its members and to provide opportunities for social intercourse among them; and c) to support the advancement of the arts. Though the Circle is decidedly not a trade union, it tries to encourage best practice.
We meet to discuss and decide bread and butter matters twice a year. We make prestigious yearly awards to up and coming musicians in a variety of categories. Occasionally we host meetings with a leading figure from the music world. We also hold luncheons or dinners to celebrate the lifetime achievement of some very special artist, writer, composer or instrumentalist. The music section has about 91 members. At present, it consists overwhelmingly of classical music and opera critics, though we welcome critics of other kinds of music (jazz, pop, and world music).
News & Reviews
For more than a hundred years, pianists have been doing battle in the seaside town of Hastings on the south coast of England. Originally, the competition featured local players in the context of a general music festival but eventually the keyboard section became...read more
Melancholy never seems far away from any concert these days, and the final celebratory piece aside, the English Concert gave us a Purcell programme to milk it. St John’s, completely cleared of furniture, the orchestra luxuriously spaced in the wide-open nave, a very...read more
The Music Section of the Critics’ Circle is delighted to announce the winners of our Annual Awards for 2019. The Lifetime Achievement Award is a special category, rather than an annual award, and is given here by the music section to a conductor whose career has had a...read more
ENO no-no It is easy to see why Verdi was attracted to Schiller’s tragedy about the class system, Kabale und Liebe. A genius from the lower orders, Verdi believed in freedom and was classless. English-speaking critics patronise the Schiller play because of the poison...read more