John Allison, Nicholas Anderson, Tim Ashley, Edward Bhesania, Agustín Blanco-Bazán, Richard Bratby, Geoff Brown, Antony Bye, Hugh Canning, Rupert Christiansen, Michael Church, Keith Clarke, Alexandra Coghlan, Clare Colvin, Antonia Couling, Della Couling, Martin Cullingford, Kimon Daltas, Guy Dammann, Clive Davies, Chris de Souza, Jessica Duchen, Rian Evans, Richard Fairman, John Fallas, Neil Fisher, Ian Fox, Rebecca Franks, Professor Christopher Green, David Gutman, George Hall, Ivan Hewett, Brian Hick, Amanda Holloway, Fiona Hook, James Inverne, Erica Jeal, Dr Lucien Jenkins, Stephen Johnson, Rick Jones, Graeme Kay, Sir Nicholas Kenyon, Ashutosh Khandekar, Nick Kimberley, Alison Latham, Richard Lawrence, Robert Layton, Jonathan Lennie, Paul Levy, Fiona Maddocks, Bryan Magee, Heleen Mendl-Schrama, Barry Millington, Kate Molleson, Christopher Morley, Bryce Morrison, Richard Morrison, Owen Mortimer, Geoffrey Norris, Meredith Oakes, Richard Osborne, Matthew Peacock, Gerhard Persche, Stephen Pritchard, Mark Pullinger, Peter Reed, Guy Rickards, Tim Rutherford-Johnson, Matthew Rye, Sebastian Scotney, Edward Seckerson, Hugo Shirley, Geoffrey Smith, Harriet Smith, Tom Sutcliffe, Michael Tanner, Robert Thicknesse, Warwick Thompson, Igor Toronyi-Lalic, Mark Valencia, Helen Wallace, Kenneth Walton, Nicholas Williams, Hans-Theodor Wohlfahrt.
David Cairns, David Gillard, Robert L Henderson, Adrian Jack, Max Loppert, David Mellor, Diana McVeagh, Stephen Pettitt, Stephen Walsh.
News & Reviews
The Music Section of the Critics’ Circle is delighted to announce the winners of our Annual Awards for 2019. The Lifetime Achievement Award is a special category, rather than an annual award, and is given here by the music section to a conductor whose career has had a...read more
ENO no-no It is easy to see why Verdi was attracted to Schiller’s tragedy about the class system, Kabale und Liebe. A genius from the lower orders, Verdi believed in freedom and was classless. English-speaking critics patronise the Schiller play because of the poison...read more
Welsh National Opera’s new (to the UK – it first saw the light of day last spring in Bonn) show is a visual triumph. The costumes (Marie-Jeanne Lecca) and set (Raimund Bauer) are arresting. The latter is a series of frames, so the characters seem to be stepping in and...read more
Gerald Barry’s Alice opera is less an adaptation than an invasion. The Irish composer takes Lewis Carroll’s Alice’s Adventures in Wonderland and its sequel Alice Through the Looking Glass and unleashes the full force of his madcap, surrealist imagination at them....read more