Music Members
© ROH | Clive Barda
Members
John Allison, Nicholas Anderson, Tim Ashley, Edward Bhesania, Agustín Blanco-Bazán, Richard Bratby, Geoff Brown, Antony Bye, Hugh Canning, Rupert Christiansen, Michael Church, Keith Clarke, Alexandra Coghlan, Clare Colvin, Antonia Couling, Della Couling, Martin Cullingford, Kimon Daltas, Guy Dammann, Clive Davies, Chris de Souza, Jessica Duchen, Rian Evans, Richard Fairman, John Fallas, Neil Fisher, Ian Fox, Rebecca Franks, Professor Christopher Green, David Gutman, George Hall, Ivan Hewett, Brian Hick, Amanda Holloway, Fiona Hook, James Inverne, Erica Jeal, Dr Lucien Jenkins, Stephen Johnson, Rick Jones, Graeme Kay, Sir Nicholas Kenyon, Ashutosh Khandekar, Nick Kimberley, Alison Latham, Richard Lawrence, Robert Layton, Jonathan Lennie, Paul Levy, Fiona Maddocks, Bryan Magee, Heleen Mendl-Schrama, Barry Millington, Kate Molleson, Christopher Morley, Bryce Morrison, Richard Morrison, Owen Mortimer, Geoffrey Norris, Meredith Oakes, Richard Osborne, Matthew Peacock, Gerhard Persche, Stephen Pritchard, Mark Pullinger, Peter Reed, Guy Rickards, Tim Rutherford-Johnson, Matthew Rye, Sebastian Scotney, Edward Seckerson, Hugo Shirley, Geoffrey Smith, Harriet Smith, Tom Sutcliffe, Michael Tanner, Robert Thicknesse, Warwick Thompson, Igor Toronyi-Lalic, Mark Valencia, Helen Wallace, Kenneth Walton, Nicholas Williams, Hans-Theodor Wohlfahrt.
Honorary members
David Cairns, David Gillard, Robert L Henderson, Adrian Jack, Max Loppert, David Mellor, Diana McVeagh, Stephen Pettitt, Stephen Walsh.
News & Reviews
Die Zauberflöte, Glyndebourne
Kitchen sunk drama There might come a time when this new Glyndebourne production of Mozart's Magic Flute by the Franco-Canadian team of stage director/choreographer Renaud Doucet, and costume/set designer André Barbe, trading as Barbe and Doucet, will find its feet...
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Noye’s Fludde, ENO/Theatre Royal Stratford East
All aboard Benjamin Britten’s 1958 account of the flood described in Genesis draws on the mediaeval mystery plays, in which obedience is a key theme. While other human beings are busy being wicked, Noah is obedient to God’s command and starts building the ship without...
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Brundibar, The Prisoner and Fidelio, Millennium Centre, Cardiff
Let my people go Hans Krása's Brundibár is perhaps the only opera given its early performances by a cast on death row. Written for a competition, it was first performed in 1942 in the Jewish orphanage in occupied Prague. The second performance was put on in the place...
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Porgy & Bess, Grange Park Opera
Midsummer murders Grinding poverty and death at knife-point. A dinner interval. More poverty, drug dependency, a hurricane, another stabbing. Then a drive home through leafy Surrey. An evening spent at Porgy & Bess at Grange Park Opera does throw up some extreme...
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