The Critics’ Circle

Protecting and promoting cultural criticism since 1913

The Critics’ Circle believes impartial, professional criticism of the arts is an essential ingredient of a healthy society. The Circle today has 490 members shared between Theatre (117), Music (78), Film (151), Dance (57), Visual Arts (47) and Books (40). Admission to the Circle is by invitation from the Council.

Since 1988 the Circle has presented each year the Service to Art Rosebowl to an artist of conspicuous achievement. In 2015 the members voted for Dame Maggie Smith, in 2016 for Matthew Bourne.

The sections make their own awards in ceremonies which are significant social occasions, and hold periodic meetings and lunches to discuss their awards, propose new members, debate current issues and meet artists.

President: Mark Shenton
Vice-President: Mark Pullinger
Hon. General Secretary: Rick Jones criticscircleallsections@gmail.com
Hon. Treasurer: Peter Cargin
Trustees: Ian Herbert, Michael Billington, Peter Cargin

News & reviews

King Arthur, St John’s, Smith Square

King Arthur, St John’s, Smith Square

Brexcalibur by Robert Thicknesse Who will write the King Arthur for another fractured age? Purcell’s sweet pageant is unlikely to serve as a rallying point, I fear. But that’s surely what it was in 1691, as England and Britain began a long climb out of a half-century...

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Film Section welcomes new members

The UK Critics’ Circle Film Section is thrilled to announce four new members for 2019/20. Film Section Chair Anna Smith calls them “accomplished professional critics”. They are: James Dyer is the Digital Editor-in-Chief of Empire magazine and the Deputy Editor of...

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Così fan tutte, Classical Opera, Cadogan Hall

Growing pains by Robert Thicknesse I confess I wasn’t expecting huge things from Ian Page and Classical Opera’s Così. Nice cast, for sure, but Page isn’t (despite his unswerving devotion to the composer) the greatest Mozart conductor, and his orchestra is only a bit...

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L’elisir d’amore, Glyndebourne

Potent potion Pleasing crowds since 2007, Annabel Arden’s sunny production of Donizetti’s perfect sentimental comedy runs around the country on tour before returning to the main festival again next year. I guess it will run for ever, and why not? – really it’s an...

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