The aims of the Music Section of the Critics’ Circle are: a) to promote the art of criticism and to uphold its integrity in practice; b) to foster and safeguard the professional interests of its members and to provide opportunities for social intercourse among them; and c) to support the advancement of the arts. Though the Circle is decidedly not a trade union, it tries to encourage best practice.
We meet to discuss and decide bread and butter matters twice a year. Occasionally we host meetings with a leading figure from the music world. We also hold luncheons or dinners to celebrate the lifetime achievement of some very special artist, writer, composer or instrumentalist. The music section has about 80 members. At present, it consists overwhelmingly of classical music and opera critics, though we welcome critics of other kinds of music (jazz, pop, and world music).
News & Reviews
Kitchen sunk drama There might come a time when this new Glyndebourne production of Mozart's Magic Flute by the Franco-Canadian team of stage director/choreographer Renaud Doucet, and costume/set designer André Barbe, trading as Barbe and Doucet, will find its feet...read more
All aboard Benjamin Britten’s 1958 account of the flood described in Genesis draws on the mediaeval mystery plays, in which obedience is a key theme. While other human beings are busy being wicked, Noah is obedient to God’s command and starts building the ship without...read more
Let my people go Hans Krása's Brundibár is perhaps the only opera given its early performances by a cast on death row. Written for a competition, it was first performed in 1942 in the Jewish orphanage in occupied Prague. The second performance was put on in the place...read more
Midsummer murders Grinding poverty and death at knife-point. A dinner interval. More poverty, drug dependency, a hurricane, another stabbing. Then a drive home through leafy Surrey. An evening spent at Porgy & Bess at Grange Park Opera does throw up some extreme...read more