Music History

When the Critics Circle started in 1913, it was launched by a group of theatre critics. But distinguished past presidents have included such well-known figures as Philip Hope-Wallace, William Mann, Andrew Porter, Charles Osborne and Rodney Milnes. Our current chairman is Claudia Pritchard, a critic of long standing who has written extensively about Classical music and opera, as well as the Visual Arts, and the Section secretary is Guy Rickards.

The aims of the Music Section of the Critics’ Circle are, to quote the Circle’s rulebook: a) to promote the art of criticism and to uphold its integrity in practice; b) to foster and safeguard the professional interests of its members and to provide opportunities for social intercourse among them; and c) to support the advancement of the arts. Though the Circle is decidedly not a trade union, it tries to encourage best practice. The music section from time to time has acted for its members in connection with scales of fees for programme notes and magazine articles. We have recently been concerned that some concert and opera promoters have been trying to force members to sell their copyright for fees that would previously have bought only “first serial rights”. Music critics tend to be among the least well paid in the Circle. They really need repeat fees for re-use of programme notes they have penned. We meet to discuss and decide bread and butter matters three times a year for about 90 minutes maximum. Occasionally we hold meetings where a leading performer or a concert-hall or opera manager will answer questions from members about their work. We also irregularly hold luncheons or dinners to celebrate the lifetime achievement of some very special artist, writer, composer or instrumentalist. The music section has 91 members. It at present consists overwhelmingly of classical music and opera critics, though we welcome critics of other kinds of music (jazz, pop, and world music).

Members

John Allison, Nicholas Anderson, Tim Ashley, Robert Beale, Edward Bhesania, Agustin Blanco-Bazan, Amy Blier-Carruthers, Richard Bratby, Henrietta Bredin, Jonathon Brown, Geoff Brown, Antony Bye, Liam Cagney, Rupert Christiansen, Michael Witton Church, Keith Clarke, Colin Clarke, Alexandra Coghlan, Clare Colvin, Antonia Couling, Della Couling, Martin Cullingford, Kimon Daltas, Guy Dammann, Clive Davis, Jessica Duchen, Rian Evans, Richard Fairman, John Fallas, Neil Fisher, Rebecca Franks, Charlotte Gardner, David Gutman George Hall, William Hartston, Ivan Hewett, Amanda Holloway, Fiona Hook, Christian Hoskins, James Inverne, Claire Jackson, Erica Jeal, Lucien Jenkins, Stephen Johnson, Graeme Kay, Nicholas Kenyon, Ashutosh Khandekar, Nick Kimberley, Alison Latham, Richard Lawrence, Jonathan Lennie, Paul Levy, Florence Lockheart, Alastair Macaulay, Fiona Maddocks, Heleen Mendl-Schrama, Barry Millington, Christopher Morley, Owen Mortimer, Geoffrey Norris, Meredith Oakes, Ashanti Omkar, Richard Osborne, Gerhard Persche, Alexandra Petropoulos, Steph Power, Stephen Pritchard, Claudia Pritchard, Mark Pullinger, Peter Quantrill, Peter Reed, Guy Rickards, Tim Rutherford-Johnson, Sebastian Scotney, Edward Seckerson, Yehuda Shapiro, Hugo Shirley, Geoffrey Smith, Harriet Smith, Chris de Souza, Robert Thicknesse, Warwick Thompson, David A Threasher, Boyd Tonkin, Igor Toronyi-Lalic, Mark Valencia, Flora Willson, Erica Worth.

Honorary members are: David Cairns, David Gillard, Robert L Henderson, Adrian Jack, Max Loppert, David Mellor, Diana McVeagh, Stephen Pettitt, Tom Sutcliffe, Stephen Walsh.

News & Reviews

RBO’s Alcina works a charm

RBO’s Alcina works a charm

Lisette Oropesa in the title role and Emily d’Angelo as Ruggiero in Alcina/ Photo: Ian Hippolyte Royal Opera/David Bates Royal Opera House, Covent Garden, 15 September 2026 Like the Venus flytrap in her greenhouse, the eponymous enchantress Alcina snaps up the…

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The Elixir of Love is a heady brew

The Elixir of Love is a heady brew

Waterperry Opera/Charles Court Opera/David Eaton Wilton’s Music Hall, London E1, 14 September Donizetti’s evergreen opera The Elixir of Love moves from sunny Italy to English apple country in Waterperry Opera’s effervescent production, first seen in the Oxfordshire…

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