John Allison, Nicholas Anderson, Tim Ashley, Edward Bhesania, Agustín Blanco-Bazán, Richard Bratby, Henrietta Bredin, Geoff Brown, Antony Bye, Hugh Canning, Rupert Christiansen, Michael Church, Keith Clarke, Alexandra Coghlan, Clare Colvin, Antonia Couling, Della Couling, Martin Cullingford, Kimon Daltas, Guy Dammann, Clive Davis, Chris de Souza, Jessica Duchen, Rian Evans, Richard Fairman, John Fallas, Neil Fisher, Ian Fox, Rebecca Franks, Charlotte Gardner, Professor Christopher Green, David Gutman, George Hall, William Hartston, Ivan Hewett, Amanda Holloway, Fiona Hook, Christian Hoskins, James Inverne, Erica Jeal, Dr Lucien Jenkins, Stephen Johnson, Rick Jones, Graeme Kay, Sir Nicholas Kenyon, Ashutosh Khandekar, Nick Kimberley, Alison Latham, Richard Lawrence, Robert Layton, Jonathan Lennie, Paul Levy, Fiona Maddocks, Bryan Magee, Helen Mendl-Schrama, Barry Millington, Kate Molleson, Christopher Morley, Bryce Morrison, Richard Morrison, Owen Mortimer, Geoffrey Norris, Meredith Oakes, Ashanti Omkar, Richard Osborne, Matthew Peacock, Gerhard Persche, Gavin Plumley, Stephanie Power, Claudia Pritchard, Stephen Pritchard, Mark Pullinger, Peter Quantrill, Peter Reed, Guy Rickards, Tim Rutherford-Johnson, Matthew Rye, Sebastian Scotney, Edward Seckerson, Hugo Shirley, Geoffrey Smith, Harriet Smith, Michael Tanner, Robert Thicknesse, Warwick Thompson, Igor Toronyi-Lalic, Mark Valencia, Helen Wallace, Kenneth Walton, Jenessa Williams, Richard Whitehouse, Nicholas Williams, Hans-Theodor Wohlfahrt.
David Cairns, David Gillard, Robert L Henderson, Adrian Jack, Max Loppert, David Mellor, Diana McVeagh, Stephen Pettitt, Tom Sutcliffe, Stephen Walsh.
News & Reviews
The Royal Opera’s new Rigoletto has the casting is just right. Lisette Oropesa’s Gilda (who shares the role with Rosa Feola) manages the difficult balance between the coloratura writing of the part and the youthful innocence of the role. After all, she mustn’t be...read more
Kelly Glyptis, in the title role, and Thomas Kelly as her lover Emile, in 'Madeleine' Surrey Opera is a semi-professional company, founded in 1969. Like many similar companies around the country, they offer a platform for young and aspiring singers. Unlike those...read more
Photo by Richard Hubert Smith Puccini could almost have written Madama Butterfly after hearing an appeal at a conference on intersectionality for material to support a new module, with its tragic tale of a woman misused by a man, a confrontation between a more- and a...read more
Galynin: Complete Works for Strings Scherzo*.**. Aria*,**. Suite**. String Quartet No 1*,***,****. String Quartet No 2*,***,***** *Anastasia Latysheva (vn). **Academy of Russian Music / Ivan Nikiforchin. ***Arina Minaeva (violin), Anna Scherbakova (cello)....read more