Music

Chair: Mark Pullinger pullingercc@btinternet.com
Hon Secretary: Guy Rickards guy@rickards.net

The aims of the Music Section of the Critics’ Circle are: a) to promote the art of criticism and to uphold its integrity in practice; b) to foster and safeguard the professional interests of its members and to provide opportunities for social intercourse among them; and c) to support the advancement of the arts. Though the Circle is decidedly not a trade union, it tries to encourage best practice.

We meet to discuss and decide bread and butter matters twice a year. Occasionally we host meetings with a leading figure from the music world. We also hold luncheons or dinners to celebrate the lifetime achievement of some very special artist, writer, composer or instrumentalist. The music section has about 80 members. At present, it consists overwhelmingly of classical music and opera critics, though we welcome critics of other kinds of music (jazz, pop, and world music).

News & Reviews

THE CONSUL, MILLENNIUM CENTRE, CARDIFF

No waiting Second up in WNO’s imaginative ‘Rhyddid/Freedom’ season is Gian Carlo Menotti’s political opera from 1949. Well known to American TV audiences as the composer of the children's Christmas TV opera Amahl and the Night Visitors, Menotti is hardly a household...

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The Hunting Gun, Aldeburgh Festival

Misfire The Hunting Gun by Yasushi Inoue, a great Japanese 20th-century author, is a complex, subtle tale involving three women, sexual betrayal by one of them with the husband of another, a daughter’s viewpoint, and the adulteress’s suicide. We get diverse...

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Aminta e Fillide, Milton Court Theatre

Barocking By Robert Thicknesse No apologies for writing about a student show: over the past 20 years some of my best evenings have been spent at such performances, and they provide a pretty decent proportion of the staged productions available through the country (at...

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DEAD MAN WALKING, MILLENNIUM CENTRE, CARDIFF

In recent years opera has started to pick its topics out of the newspapers, finding material in the everyday in a way Puccini would have approved. Now WNO has turned to Jake Heggie's fact-based tale, premiered in 2000, of a nun going to meet a death-row prisoner who...

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