L’elisir d’amore, Glyndebourne

L’elisir d’amore, Glyndebourne

Potent potion Pleasing crowds since 2007, Annabel Arden’s sunny production of Donizetti’s perfect sentimental comedy runs around the country on tour before returning to the main festival again next year. I guess it will run for ever, and why not? – really it’s an...
Rigoletto, Glyndebourne on Tour

Rigoletto, Glyndebourne on Tour

Add baby, remove bathwater Glyndebourne’s touring company used to serve two purposes; partly it was a way of spreading the quality of Glyndebourne’s own festival productions more widely around the country, but more importantly it helped some talented British...
Rinaldo, Glyndebourne

Rinaldo, Glyndebourne

Playground for Paladins by Fiona Hook Robert Carsen’s 2011 staging of Handel’s Rinaldo eschews both Handel’s patriotic subtext about the war England was then waging with France, and more contemporary echoes, in favour of a jolly romp taking place in the imagination of...
Die Zauberflöte, Glyndebourne

Die Zauberflöte, Glyndebourne

Kitchen sunk drama There might come a time when this new Glyndebourne production of Mozart’s Magic Flute by the Franco-Canadian team of stage director/choreographer Renaud Doucet, and costume/set designer André Barbe, trading as Barbe and Doucet, will find its...
La damnation de Faust, Glyndebourne

La damnation de Faust, Glyndebourne

Byway to hell All Berlioz’s few operas are highly original in structure and intention – a characteristic encouraged by this brilliant composer’s obsession with Shakespeare as a model alien in French culture. But his Damnation de Faust is not an opera, more like...