JENUFA, WELSH NATIONAL OPERA

JENUFA, WELSH NATIONAL OPERA

WNO’s latest staging of Katie Mitchell’s staging of Jenůfa (revived by director Eloise Lally) is given an additional layer of significance by current events. Janáček’s is an opera in a Slav language, in a production with various Slav participants, chronicling...
Critics’ Circle Music Awards 2019

Critics’ Circle Music Awards 2019

The Music Section of the Critics’ Circle is delighted to announce the winners of our Annual Awards for 2019. The Lifetime Achievement Award is a special category, rather than an annual award, and is given here by the music section to a conductor whose career has had a...
Luisa Miller, Coliseum

Luisa Miller, Coliseum

ENO no-no It is easy to see why Verdi was attracted to Schiller’s tragedy about the class system, Kabale und Liebe. A genius from the lower orders, Verdi believed in freedom and was classless. English-speaking critics patronise the Schiller play because of the poison...
King Arthur, St John’s, Smith Square

King Arthur, St John’s, Smith Square

Brexcalibur by Robert Thicknesse Who will write the King Arthur for another fractured age? Purcell’s sweet pageant is unlikely to serve as a rallying point, I fear. But that’s surely what it was in 1691, as England and Britain began a long climb out of a half-century...