by Lucien Jenkins | Mar 6, 2022 | Music
WNO’s latest staging of Katie Mitchell’s staging of Jenůfa (revived by director Eloise Lally) is given an additional layer of significance by current events. Janáček’s is an opera in a Slav language, in a production with various Slav participants, chronicling...
by Music Editor | Nov 27, 2021 | Music
By Robert Thicknesse How do you turn a Hammer horror into a tragedy? It confronts every director of Verdi’s take on Shakespeare. Part of it is that the mid-19th century had such different ideas of drama (and of Shakespeare) from us, another that Verdi (and his...
by Lucien Jenkins | Nov 23, 2021 | Music
The question of when and where to set Wagner’s Ring is an entirely open one, since like Arthur and Lear, it is everywhere and nowhere. Richard Jones (director) and Stewart Laing (set and costume designer) answer this by locating Act 1 of Valkyrie in a Wickes shed, Act...
by Lucien Jenkins | Sep 29, 2021 | Music
Photo by Richard Hubert Smith Puccini could almost have written Madama Butterfly after hearing an appeal at a conference on intersectionality for material to support a new module, with its tragic tale of a woman misused by a man, a confrontation between a more- and a...
by Tom Sutcliffe | Feb 16, 2020 | Music
ENO no-no It is easy to see why Verdi was attracted to Schiller’s tragedy about the class system, Kabale und Liebe. A genius from the lower orders, Verdi believed in freedom and was classless. English-speaking critics patronise the Schiller play because of the poison...