Visual Arts Members

Melanie Abrams, Martin Bailey, David Buckman, Ian Collins, Sacha Craddock, John Evans, William Feaver,Clare Finn, Andrew Graham-Dixon, Julian Halsby, Tanya Harrod, Edwin Heathcote, Niall Hobhouse, Dr Joachim Jacobs, Corinne Julius, Anthony J Lester, Paul Levy, Susan Loppert, Corinna Lotz, Estelle Lovatt FRSA, Edward Lucie-Smith, Martina Margetts, John McEwen, Charlotte Mullins, Farah Nayeri, William Packer, Pip Palmer, Hugh Pearman, Denise Silvester-Carr, Adam Smith, John Spurling, Jilly Szaybo, Poppy Szaybo, Simon Tait, Nicholas Usherwood, Marina Vaizey, Philip Vann,  Abigail Willis, Ellis Woodman, Christopher Woodward

 

News & Reviews

Ben Nicholson; writings and ideas

As with many artists, Ben Nicholson’s letters have long been hidden away in archives, being freed only occasionally by scholars. He was a prolific, lively and informative writer of letters, notes and publications of various sorts all through his life, and this small,...

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Semblance and reflection

By Corinna Lotz Retroactive: Drawing and Painting Retrospective is at the Cello Factory, 33-34 Cornwall Road, SE1 8TJ until 30 June. Felix and Spear are exhibiting Clossicks’ paintings along with Auerbach, Kossoff and Uglo etchings at 71 St Mary’s Road, W5 5RG until 6...

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Picasso the Modernist Classicist

Picasso's sculpture at the Galleria Borghese, Rome Guidebooks refer to Rome’s Galleria Borghese as the ‘queen of all private collections’. Set in the expansive Borghese gardens, it is a collection begun in the early 17th century by Cardinal Scipione Borghese and added...

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Bonnard’s Dog of Distinction

Bonnard’s colour stays in the mind’s eye long after leaving Tate’s current exhibition. His dappled brushwork, undulating lines and areas of colour describe landscapes, interiors and still lifes. They are images of languid, unhurried, sunny days. The artist plays with...

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Frank Bowling is the 2018 visual arts winner

This year the Critics' Circle Visual Arts and Architecture Section made two awards, both to individuals who might be said ‘not to have received due recognition earlier in their formidable careers.’ Both have made art in their own inimitable ways. Frank Bowling, to be...

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