In this post, we summarise all the articles and other media coverage by the Critics’ Circle members on art and architecture during March 2026.
Rachel Kubrick has written These 5 Gen Z Collectors Are Rewriting the Rules of the Art World, for Artsy.
Tabish Khan has previewed the top exhibitions to see in April for Londonist. For his newsletter Londonist Urban Palette, he has interviewed the curator of Beauty and Destruction at IWM, highlighted a case of Barbi-can and Barbi-can’t, interviewed artist Ferha Farooqui, and asked Should we start charging entry fees for museums?. For FAD magazine, he has his weekly top 5 art exhibitions, picked his top art books to read this Spring, written that NewBridge Project is a much-needed Third Space in Newcastle, and that Flamm is Rekindling Cornwall’s Towns With Art. As co-host of the podcast The Good, The Bad and The Arty, he interviews artist and poet Arch Hades, and the director of the Ingram Collection, and author Jo Baring.
Claudia Barbieri Childs reports that the French government blocks the sale of a newly discovered drawing by German Renaissance master Hans Baldung, for The Art Newspaper.
Sue Hubbard has reviewed Cecily Brown at Serpentine: In Painting Anything Is Possible, for Artlyst.
Paul Carter-Robinson writes Public Backs London Tourist Levy To Keep Museums Free and a thorough guide to the Venice Biennale 2026: National Pavilions Plus Collateral Events, both for Artlyst.
Estelle Lovatt discusses art, politics and portraits, and the future Sycamore Gap tree artwork, for GB News.
In the latest issue of Review of Sussex Arts (ROSA), Alex Leith takes a deep dive into artist, poet and mystic William Blake’s life in Felpham. He also chaired a cultural interchange between Chinese multimedia artist Wu Juan An and five UK-based artists at the Royal Geographic Society.
The lead image is of the V&A East. Photo: Niall Hodson